Marcin Wichary
14 February 2025
Supplement to The hardest working font in Manhattan
Gorton recreations
When I started looking into Gorton, I couldn’t find any reasonable modern recreation that could be installed on my computer.
What I understand now is that there were recreations – and even more were made in recent years – but if the font itself barely had a name, it won’t be a surprise that most of the revivals didn’t realize that name existed, either.
Instead, there have been three recreations named after park and maritime plaques carved with Gorton, and another called DSKY after the computer that flew to the Moon with keycaps sporting Gorton. There are recreations called Leroy, AV Hershey, and MIL-33558 – and generic Router and Daily Special (another perfect name, for those felt board menus).
There was one recreation named plainly Gorton, but it seems lost to time. URW Gordon comes from 1995, when George Gorton the company still existed as an independent entity, so it was probably safer to misspell the trademarked company name. Somewhat appropriately, for a while, the only recreation named Gorton is Gorton Digital, itself requiring a convoluted set of instructions to create.
Many recreations are bad even by the standards of engraving fonts. Some are created by amateurs (but so was, perhaps, Gorton?), others by talented type makers. Just like Modified did, a few fix Gorton’s mistakes in order to make the result more usable, which provokes a question: how many fixes can be made before the new font becomes something else altogether? (I commissioned Inga Plönnings to create Gorton Perfected, which is a variable font with bells and whistles and many new characters, but also isn’t truly monoline, so some of its original soul is gone.)
Font | Year | Designer | Branch | Quality | Verisimilitude | Extra features |
---|---|---|---|---|---|---|
AV Hershey | 2015 | Stewart Russell | Hershey | ? | ? | Preliminary release without all the glyphs. Requires building. |
Bryant | 2002 | Eric Olson | Leroy | ***** | ** | Many weights. |
Daily Special | 2024 | David J. Ross | Leroy | ***** | **** | Spacing and rotation variation. Extra color fun. Fun letter substitutes. |
DSKY Fonts | 2019 | Gene Dorr | Gorton | **** | ***** | Condensed and normal, but no weight support. |
Gorton | 2015? | Joshua Krämer | Gorton | **** | **** | Unavailable. |
Gorton Digital | 2017 | R. S. Bartgis | Gorton | *** | **** | Requires building. |
Gorton Perfected | 2023 | Inga Plönnings | Gorton | ***** | **** | Variable width. Fun alternates. Keyboard symbols support. Not 100% monoline. |
Leroy | 2010 | Oscar Bauer | Leroy | **** | ** | Unavailable. |
Menco | 2018 | Tobias Kvant | Leroy | **** | ** | Five weights and slanted version available. |
MIL-33558 | 2021 | hsssonic | Leroy | ** | ***** | One weight and width. |
Milling Cad Simplex | 2024 | Tanguy Vanlaeys | Gorton | ***** | ** | Many OpenType alternates. |
National Forest Print | 2021 | Rachel Kick | Gorton | ***** | *** | Four weights. |
National Park Typeface | 2019 | Ben Hoepner | Gorton | ***** | **** | Condensed version. Many weights available. Fun specimen page. |
Open Gorton | 2019 | Dakota Felder | Gorton Modified | * | **** | Two weights. |
Pantograph | 2009 | Hamish Makgill | Taylor-Hobson | ***** | **** | Variable weight and width. |
Planscribe | 2011 | Nick Curtis | Gorton | **** | **** | Three weights. |
Routed Gothic | 2018 | Darren Embry | Leroy | **** | ***** | Different widths, slanted options, and letter alternates available. |
Router | 2008 | Jeremy Mickel | Gorton | ***** | * | Many weights, small caps, and slanted options available. |
Ship’s Whistle | 2020 | Dan Cederholm | Gorton | ***** | *** | Two weights, oblique, and a “rough” version, and some fun swashes and symbols. |
Sublime | 1997 | Joseph Coniglio | Gorton | *** | **** | Fake rough appearance. |
Toom | 2020 | Christopher Sperandio | Leroy | **** | **** | Based specifically on the comic-book Leroy. Fake rough appearance. |
URW Gordon | 1995 | ? | Gorton | *** | ** | Three widths. |
I collected twenty-two recreations I know of in the table above. Its messiness is a microcosm of Gorton’s tricky history. The most well-known application for any of the above – outside of keyboard nerds and people recreating labels for old equipment – must be Bryant, used for the opening titles of Last Week Tonight.